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American Popular Music The Age Of Rock [PDF Download]

American Popular Music  The age of rock PDF
Author: Timothy E. Scheurer
Publisher: Popular Press
Release Date: 1989
ISBN: 9780879724689
Size: 41.57 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : en
Pages : 267
View: 4348

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Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.

American Popular Music The Age Of Rock [PDF Download]

American Popular Music  The age of rock PDF
Author: Timothy E. Scheurer
Publisher: Popular Press
Release Date: 1989
ISBN: 9780879724689
Size: 35.49 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 267
View: 2049

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Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.

The Jesus People Movement [PDF Download]

The Jesus People Movement PDF
Author: Richard A. Bustraan
Publisher: Wipf and Stock Publishers
Release Date: 2014-02-13
ISBN: 1630873500
Size: 21.68 MB
Format: PDF, ePub, Mobi
Category : Religion
Languages : en
Pages : 262
View: 2990

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Who would have imagined that the hippies, those long-haired, psychedelia-influenced youth of the 1960s, would have initiated a spiritual revolution that has transformed American Christianity? If you are unfamiliar with the 1960s, the counterculture, the hippie movement, and the Jesus People, then this book will transport you to that era and introduce you to the generation and the decade that turned American culture upside down. If you have read other books on the Jesus People, this account will take you by surprise. A refreshingly different narrative that unveils a storyline and characters not commonly known to have been associated with the movement, this book argues that the Jesus People, though often trivialized and stigmatized as a group of lost and vulnerable youth who strayed from the Fundamentalism of their childhood, helped American Christianity negotiate a way forward in a post-1960s culture. It examines the narrative of the Holy Spirit and the phenomenon called Pentecostalism. Although utterly central, the Jesus People's Pentecostalism has never been examined and their story has been omitted from the historiography of Pentecostalism. This account uniquely redresses this omission.

Music Politics And Violence [PDF Download]

Music  Politics  and Violence PDF
Author: Susan Fast
Publisher: Wesleyan University Press
Release Date: 2012-10-30
ISBN: 0819573396
Size: 51.65 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 320
View: 7718

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Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music’s role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors’ substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely—and often uncomfortably—entwined. CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.

Rock Music In American Popular Culture Iii [PDF Download]

Rock Music in American Popular Culture III PDF
Author: Frank Hoffmann
Publisher: Routledge
Release Date: 2014-02-04
ISBN: 1317957598
Size: 49.24 MB
Format: PDF, ePub, Mobi
Category : Music
Languages : en
Pages : 352
View: 913

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Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.

Continuum Encyclopedia Of Popular Music Of The World Volume 8 [PDF Download]

Continuum Encyclopedia of Popular Music of the World Volume 8 PDF
Author: John Shepherd
Publisher: A&C Black
Release Date: 2012-03-08
ISBN: 1441160787
Size: 38.56 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 584
View: 5455

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A comprehensive and authoritative reference to a huge range of American musical styles, from Barbershop to Bluegrass and from Ragtime to Rockabilly.

Chronology Of American Popular Music 1900 2000 [PDF Download]

Chronology of American Popular Music  1900 2000 PDF
Author: Frank W. Hoffmann
Publisher:
Release Date: 2008
ISBN:
Size: 74.35 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 544
View: 5717

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The Chronology of American Popular Music, 1900-2000 is an annotated chronology dealing with all types of twentieth-century American popular music. From the age of cylinder recordings to MP3s, the work documents the performers, producers, record company moguls, critics, disc jockeys, and managers who shaped America's popular music. Inclusive in definition, the chronology documents everything from Tin Pan Alley song to country, R&B to rock 'n' roll, mainstream pop, and popular jazz. Each entry is annotated, with a description of the event and its meaning in the larger context of the history of popular music. This reference work provides a survey of popular music history which encompasses all notable genres, artists, and related socio-cultural trends. The index provides well-organized access to the information covering: milestone accomplishments, whether pertaining to an individual career or the music industry as a whole; death dates, which serve as the summation of a career; events or creations that prove influential or widely imitated; significant chart or sales activity, especially achieving the number one ranking on a particular chart; awards or special recognition for achievements; and oddities that serve to illustrate or symbolize a prevailing attitude or movement.

The Jazz Age [PDF Download]

The Jazz Age PDF
Author: Arnold Shaw
Publisher: Oxford University Press on Demand
Release Date: 1989
ISBN: 0195060822
Size: 72.77 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 350
View: 6845

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Looks at the history of the 1920s, describes the jazz bands and performers who helped shape it, and discusses the important musical developments of the period.

Segregating Sound [PDF Download]

Segregating Sound PDF
Author: Karl Hagstrom Miller
Publisher: Duke University Press
Release Date: 2010-01-21
ISBN: 0822392704
Size: 16.97 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 384
View: 5967

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In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.

The Columbia History Of Post World War Ii America [PDF Download]

The Columbia History of Post World War II America PDF
Author: Mark C Carnes
Publisher: Columbia University Press
Release Date: 2007-07-06
ISBN: 0231511809
Size: 43.35 MB
Format: PDF
Category : History
Languages : en
Pages : 544
View: 3500

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Beginning with an analysis of cultural themes and ending with a discussion of evolving and expanding political and corporate institutions, The Columbia History of Post-World War II America addresses changes in America's response to the outside world; the merging of psychological states and social patterns in memorial culture, scandal culture, and consumer culture; the intersection of social practices and governmental policies; the effect of technological change on society and politics; and the intersection of changing belief systems and technological development, among other issues. Many had feared that Orwellian institutions would crush the individual in the postwar era, but a major theme of this book is the persistence of individuality and diversity. Trends toward institutional bigness and standardization have coexisted with and sometimes have given rise to a countervailing pattern of individualized expression and consumption. Today Americans are exposed to more kinds of images and music, choose from an infinite variety of products, and have a wide range of options in terms of social and sexual arrangements. In short, they enjoy more ways to express their individuality despite the ascendancy of immense global corporations, and this volume imaginatively explores every facet of this unique American experience.